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Algeria
Sculpture, Carving on Bronze
Size: 37 W x 15.4 H x 6.3 D in
Ships in a Crate
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Vintage from the 1920s Read the full description Materials: Zamak, Spelter, Metal, Bronze, Coper PLEASE READ THE DESCRIPTION AND VIEW PHOTOS CAREFULLY BEFORE BUYING An antique mantel clock with a spectacular sculpture of a girl sitting on the clock is a very realistic scene. A lamb sits at her feet. Small details of clothing and expressive facial expressions. Rectangular base, richly decorated with ears of wheat, oak leaves, and other floral ornaments. Down, in the center, a crossed cross and a shepherd's crook. The clock stands on four figured legs. *************************************************** Country of origin: France. Period: early 20th century. Comes with a key. Look: The watch is marked Japy Freres. This is a mechanical 8-day movement. The watch looks good considering its age. The clock strikes every half hour and the whole hour, but the clock itself does not work. The sculpture has the original authentic patina. Not polished. Material: Zamak (spelling); an alloy of zinc and lead that becomes copper-like over time Round dial with black Roman numerals. Roman numerals are printed on round enamel. Dimensions: Height 39 cm / 15.4 inches Width 37 cm / 14.6 inches Depth 16 cm / 6.3 inches Dial diameter 8 cm / 3.2 inches Weight approximately 4.5 kg / 9.9 lbs **********************************************************
Sculpture:Carving on Bronze
Original:One-of-a-kind Artwork
Size:37 W x 15.4 H x 6.3 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Algeria.
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Algeria
impressive figurative practice combines the particularities of the artist’s hand with the possibilities of digital construction. process involves painting brushstrokes on clear glass, photographing them, recreating them in digital modeling software to form compelling yet uncanny figures, and, finally, printing those figures onto linen.
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