VIEW IN MY ROOM
Slovenia
Sculpture, Interactive on Ceramic
Size: 7.1 W x 7.1 H x 5.9 D in
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MANGO HEART, 2014 terracotta, 3 different natural colours of clay, all together 8 pieces Size: approx.15 x 18 x 18 cm depends how you assemble it This little sculpture is also from the jigsaws series called »Compositum«(Lat.)/composition and I called it »Mango Heart«, because one piece piercing the other reminds me of mango stone and the other has vague shape of a heart. On the fringe of the heart shape there are notches, in which tear – like shaped forms of dark brown clay are sticked. The one with three »horns« comes at the top. ( there will also be another part as a "spare part"-also with 3 horns, but made of white clay and bigger..the buyer can decide which one he prefer to include!) ....again, we have a sculpture that can be dismantled for transport and then easy to assemble- just look at the photo and instructions that will come with the sculpture! Very easy to do! Its all the same, from which side you pierce the heart shaped piece. And also, place all the other parts just by feeling!!But again: be sure that each one fits nicely in to the belonging notch.( if you want to be absolutely sure that you won't damage it later when it's assembled, and it will stay at permanent place you can glue the "tears" with simple glue (like UHU) and will stay in place for good! So, you can see it's a sculpture with love theme, but also a bit sarcastic…. My sculptures are never made only to "please eyes"… Instead, they are multi-layered in meaning; sometimes a bit »heavy« in feeling , sarcastic or humorous. Each one is a little part of me, of my personal story. But at the same time they tend to be also universal, common to all people of all races or continents…. I prefer to be human / social orientated than political in my work ( although, the politics is also an integral part of the human society, anyway!)
Multi-paneled Sculpture:Interactive on Ceramic
Original:One-of-a-kind Artwork
Size:7.1 W x 7.1 H x 5.9 D in
Number of Pieces:2
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Slovenia.
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Slovenia
I'm interested in many things and I'm on the constant search of new ways to share my thoughts in the visual language, but also stories, universal human issues, issues concerning women and many more…. Therefore I'm also changing materials and forms in order to express this things! I think I don't have a particular style, because everything is subordinated. to the subject I'm interested in. I tend to shell the majority of »feeling« from the material itself. I use a huge range of materials:from classic sculpting materials (predominately clay, stone, glass bronze) to more contemporary ones, like plastic, fibre, felt, found objects, liquid….. to non-material mediums ( video., sound or animation). If I feel vulnerable I might choose felt to work with ( for "protection"), next time,if I feel like »falling to pieces«, I might decide to make sculptures made of multiple pieces that need to be assembled, or when I'm happy and content, I choose clay or metal, to show how strong I'm feeling…. So, there's clearly lndirect physical evidence of my mood/state on material itself!! I'd divide my work on two main complexes: The intimate (smallish) one and the public / large one. In the past I was interested in figure but also the fragments of the human body like hands, legs, bellybuttons, ears….although I don't work very much on figure nowadays I still return back to it now and then, because it's somehow the eternal source…. as it's for material:clay! I'm particularly interested in space, so I often work on site-specific installations. I love to work in remote places somewhere in the nature. For me it's more important the place , where I work, then how many people will actually see this work at the end…. That counts predominately for the public concept. When I work In small scale , the surrounding space is less important – although,it's never totally excluded- there I put a lot of emphasis on detail. I deal a lot with symbols and surrealistic visual language sometimes my art is very minimal, but sometimes rich in form and colour…There was time when I was quite influenced by Magritte, but also Cubism( after my travel to Africa in eighties) and Brancusi. In time of study also new English sculpture had huge influence on me , like Deacon, Kapoor, Woodrow, Caro , Cragg and many others from that generation! My art usually refers to ( personal) past events or premonition of the future or has critical, even sarcastic note to the modern society.
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