VIEW IN MY ROOM
United Kingdom
Painting, Oil on Canvas
Size: 48 W x 71 H x 2 D in
Ships in a Crate
Artist Recognition
Featured in Rising Stars
Featured in the Catalog
Artist featured in a collection
'A Touch of a Lover' is a contemporary, figurative, oil and acrylic on canvas painting inspired by the work of Anthony Cudahy. The intention of the work was to capture an intimate moment between a partnership, with the gaze and element of touch being at the core of the piece. The use of colour in this work is essential in emitting a sense of intimacy, love and warmth, all feelings I intend viewers to feel when encountering the piece. The dividing central line of colour creates a intimate tension between the subjects, with the areas where their bodies advance into the the other colour offering relief. The edges of the canvas are painted in the initial layering of colour, green and pink, intensifying the colours of the work.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:48 W x 71 H x 2 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Ella Jackson (b.2001) lives in both London and Dorset. Graduating in 2023 from Central Saint Martins in BA (Hons) Fine art, her practice fundamentally explores human relationships and the emotion of love. Personal experiences of these themes is how her work currently exists, with the subjects within each piece being a close relative or friend. Whilst the audience may not directly know the subjects, she intends for the works to emit a sense of the familiar, connecting them to their own relationships, through colour, composition and place. The process in making the paintings begins with colour, with the manipulation of additional colours placed on a coloured surface being of interest. Her palette is predominately been warm tones of pink, orange and greens with the intention of mimicking the warmth and comfortable nature of love. Each work is a gradual build-up of delicate, intimately applied brush strokes. Whilst not adhering to the science and colour theory behind ‘Pointillism’, the style of each stroke is arguably of a similar nature. They show the labour of the artist’s hand. Whilst being laborious and time consuming, there is coherence between the paintings’ process and theme. The cumulative brush strokes imitate the gradual development of building a relationship, taking both time and effort.
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