VIEW IN MY ROOM
Italy
Drawing, Engraving on Cardboard
Size: 26.4 W x 25.6 H x 5.5 D in
Ships in a Crate
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Scapigliata means disheveled. This is the situation of our loved Country in his 150th birthday... and today not so different. In this work I applied my take-out technique of the surface of the cardboard, usually an element of decontextualization of the subject, overturning its use. I also used the strips of cardboard, normally removed, as an expressive element, from which the symbolic title of the work. The work is fixed on a wooden frame and protected by a plexiglass box screwed onto the frame.
Drawing:Engraving on Cardboard
Original:One-of-a-kind Artwork
Size:26.4 W x 25.6 H x 5.5 D in
Frame:Other
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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I was born in Verona, Italy, in 1949. I grew up in the cultural atmosphere of the '70s in Florence, where I graduated in Architecture. In that period I was also a musician and experimental performer. In the mid '80s I wrote songs and sang with my rock band in Verona, and worked as a scene, graphic and furniture designer. In 1997 my first exhibits in the art-world of painting.My most recent works, Industrial Archaeologies, divert the attention onto cultural products for survival: they are geological finds of a recent civilisation, the industrial one. These works, rigorously pastel painted, are totems, neglected mechanical parts abandoned to indifference. These objects, captured in their monumental plasticity are tragically present; they seem solid and impregnable mechanisms like ancient war machines. The support material is presented as fragile, recycled cardboard, as meagre as the oppressive isolation of the objects. And yet in this ambivalent scene of force and fragility is the harmonious result of the mix where the support is not only the place of evocation but becomes expressive material that transforms itself into light and colour.
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