VIEW IN MY ROOM
Romania
Drawing, Conte on Paper
Size: 12.2 W x 13.4 H x 0 D in
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In March 2020 I have started a visual journal, drawing thoughts and feelings in relation to living closer to nature, isolation, my understanding of this strange world as well as to my readings about ecology and permaculture. “Maia Ștefana Oprea combines this unique artistic practice with a bespoke lifestyle, cultivating sustainably and eco the art of living and creating.” (Ana Daniela Sultana, 2020) I liked this little eggplant sprout, so much that I wanted to draw it, imagining how it will come to fruit. The lighting was changing with every minute and the plant in itself was growing wit every hour, the next day I couldn't draw it anymore because it had already doubled in size. After a week the mystery of this giant sprout was cleared : it was actually an acacia ! It must have sprouted from my compost. Nature has it's own way of surprising me. We depend on nature not only for our physical survival. We also need nature to show us the way home, the way out of the prison of our minds. We got lost in doing, thinking, remembering, and anticipating – lost in a maze of complexity and a world of problems. We have forgotten what rocks, plants, and animals still know. We have forgotten how to be – to be still, to be ourselves, to be where life is : Here and Now. (Eckhart Tolle)
Drawing:Conte on Paper
Original:One-of-a-kind Artwork
Size:12.2 W x 13.4 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Romania.
Customs:Shipments from Romania may experience delays due to country's regulations for exporting valuable artworks.
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Romania
Painting is located in the center of my artistic interests, and through it I investigate concepts of time, memory, absence, waste, decay, violence, identity, subjectivity and vulnerability The purpose behind my latest artwork (painting-graphics, collage, assemblage) is to explore the expressive properties of paint and other materials through physical and poetic processes, following the development of a personal dialogue in between thoughts and colors, emotions and memories, lines and gestures, hesitations and decisions. Desiring to pull the viewer from representation, I like to draw attention to the painting process and to many painterly 'imperfections', which can be clearly visible in the works. My paintings are often built up in layers, during long periods of time, through a process of recording and analysing natural forms, shapes and objects which I make myself, or my own manipulated photographs. These visual sources often resonate with my old drawings and sketches, which are in turn incorporated in the future paintings. The brushwork experiments in the studio and the repetitive structural forms found in my environment become a language of my work. If I were to synthesize in a sole phrase what characterises my interventions, steps, installations and artworks of the media I have experimented so far (photography, video, performance, installation, sculpture), I would say that they are all somewhat self-referential. Self-referential in the sense that my work doesn't demonstrate nor does it present the functioning of structures belonging to the territory of the real. But rather it embraces these structures, interrogates them, in the pursue of a visual expression where reality and imaginary, conscience and unconscious, life and death stop being felt as incompatible. www.maiaoprea.ro/en http://maiastefanaoprea.wordpress.com
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