VIEW IN MY ROOM
Romania
Collage, other on Paper
Size: 39.4 W x 27.6 H x 0 D in
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The series of collages that I make have become a mnemonic constant in the course of my artistic route. I like to recombine old or very old drawings (from childhood), changing their appearance and giving them a whole new meaning. I use glue and bone glue to stick them together, but I feel that these aren't sufficient to secure the permanence of the new environment offered to the newly cut sketches. This is why I saw them. Sewing them one into another is as if I stitched lost memories. In the novel "Bricked in Windows" Alexandru Vona writes: "I do not know how our life would be if we remove all poor secrets out, if we discover the reasons which hide behind the tiny inexplicable disappearances of time". (own translation)
Original Created:2018
Subjects:Nude
Materials:PaperSoft (Yarn, Cotton, Fabric)
Styles:Abstract Expressionism
Mediums:other
Collage:other on Paper
Original:One-of-a-kind Artwork
Size:39.4 W x 27.6 H x 0 D in
Frame:Brown
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Romania.
Customs:Shipments from Romania may experience delays due to country's regulations for exporting valuable artworks.
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Romania
Painting is located in the center of my artistic interests, and through it I investigate concepts of time, memory, absence, waste, decay, violence, identity, subjectivity and vulnerability The purpose behind my latest artwork (painting-graphics, collage, assemblage) is to explore the expressive properties of paint and other materials through physical and poetic processes, following the development of a personal dialogue in between thoughts and colors, emotions and memories, lines and gestures, hesitations and decisions. Desiring to pull the viewer from representation, I like to draw attention to the painting process and to many painterly 'imperfections', which can be clearly visible in the works. My paintings are often built up in layers, during long periods of time, through a process of recording and analysing natural forms, shapes and objects which I make myself, or my own manipulated photographs. These visual sources often resonate with my old drawings and sketches, which are in turn incorporated in the future paintings. The brushwork experiments in the studio and the repetitive structural forms found in my environment become a language of my work. If I were to synthesize in a sole phrase what characterises my interventions, steps, installations and artworks of the media I have experimented so far (photography, video, performance, installation, sculpture), I would say that they are all somewhat self-referential. Self-referential in the sense that my work doesn't demonstrate nor does it present the functioning of structures belonging to the territory of the real. But rather it embraces these structures, interrogates them, in the pursue of a visual expression where reality and imaginary, conscience and unconscious, life and death stop being felt as incompatible. www.maiaoprea.ro/en http://maiastefanaoprea.wordpress.com
Artist featured by Saatchi Art in a collection
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